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Drawing on an impressive range of secondary material, including many elusive reviews, interviews and articles from the under-explored Highsmith Archive, Fiona Peters suggests that the usual generic distinctions -crime fiction, mystery, suspense - have been largely unhelpful in elucidating Patricia Highsmith's novels. Peters analyzes a significant selection of Highsmith's works, chosen with a view towards demonstrating the range of her oeuvre while also identifying the main themes and preoccupations running throughout her career. Adopting a psychoanalytic approach, Peters proposes a reading of Highsmith that subordinates murder as the primary focus of the novels in favor of the gaps between periods of activity represented through anxiety, waiting, lack of desire and evil. Her close readings of the Ripley series, This Sweet Sickness, Deep Water, The Tremor of Forgery, and The Cry of the Owl, among others, reveal and illuminate Highsmith's concern with minutiae and the particular. Peters makes a strong case that the specific disturbances within her texts have resulted in Highsmith's writing remaining resistant to explication and to the more sophisticated interpretative strategies that would seek to position her within a specific genre.

• Sales Rank: #259676 in Books
• Published on: 2016-05-31
• Ingredients: Example Ingredients
• Original language: English
• Dimensions: 9.25" h x 6.25" w x .75" l, 1.20 pounds
• Binding: Hardcover
• 216 pages

Review
A Yankee Book Peddler US Core Title for 2012

About the Author
Fiona Peters is a Senior Lecturer in the Department of English and Cultural Studies, Bath Spa University, United Kingdom.

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“Some stories are more explicitly Lovecraftian than others, but all demonstrate how Lovecraft's dark mythology continues to inspire outstanding tales of modern horror.” - Publisher's Weekly
Many of the best weird fiction writers (and creators in most other media) have been profoundly influenced by the genre and the mythos H.P. Lovecraft created eight decades ago. Lovecraft's themes of cosmic indifference, minds invaded by the alien, and the horrors of history - written with a pervasive atmosphere of unexplainable dread - are more relevant than ever as we explore the mysteries of a universe in which our planet is infinitesimal and climatic change is overwhelming it.
A few years ago, New Cthulhu : The Recent Weird presented some of the best of this new Lovecraftian fiction from the first decade of the twenty-first century. Now, New Cthulhu 2: More Recent Weird brings you more eldritch tales and even fresher fiction inspired by Lovecraft.

• Sales Rank: #1125926 in Books
• Brand: Guran, Paula (EDT)
• Published on: 2015-03-24
• Original language: English
• Number of items: 1
• Dimensions: 8.80" h x 1.30" w x 6.00" l, 1.08 pounds
• Binding: Paperback
• 480 pages

About the Author
John Langan has taught reading and writing at Atlantic Cape Community College near Atlantic City, New Jersey, for more than twenty-five years. The author of a popular series of college textbooks on both writing and reading, John enjoys the challenge of developing materials that teach skills in an especially clear and lively way. Before teaching, he earned advanced degrees in writing at Rutgers University and in reading at Rowan University. He also spent a year writing fiction that, he says, is now at the back of a drawer waiting to be discovered and acclaimed posthumously. While in school, he supported himself by working as a truck driver, a machinist, a battery assembler, a hospital attendant, and an apple packer. John now lives with his wife, Judith Nadell, near Philadelphia. In addition to his wife and Philly sports teams, his passions include reading and turning on nonreaders to the pleasure and power of books. Through Townsend Press, his educational publishing company, he has developed the nonprofit Townsend Library, a collection of more than a hundred new and classic stories.

Laird Barron is the author of several books, including?The Croning, Occultation, ?and?The Beautiful Thing That Awaits Us All. His work has also appeared in many magazines and anthologies. An expatriate Alaskan, Barron currently resides in Upstate New York.

Elizabeth Bear shares a birthday with Frodo and Bilbo Baggins. This, coupled with a tendency to read the dictionary as a child, doomed her early to penury, intransigence, friendlessness, and the writing of speculative fiction. She was born in Hartford, Connecticut, and grew up in central Connecticut with the exception of two years (which she was too young to remember very well) spent in Vermont's Northeast Kingdom, in the last house with electricity before the Canadian border.

She's a second-generation Swede, a third-generation Ukrainian, and a third-generation Transylvanian, with some Irish, English, Scots, Cherokee, and German thrown in for leavening. Elizabeth Bear is her real name, but not all of it. Her dogs outweigh her, and she is much beset by her cats.

Bear was the recipient of the John W. Campbell Award for Best New Writer in 2005. She has won two Hugo Awards for her short fiction, a Sturgeon Award, and the Locus Award for Best First Novel. She is the author of the acclaimed Eternal Sky series, the Edda of Burdens series, and coauthor (with Sarah Monette) of the Iskryne series. Bear lives in Brookfield, Massachusetts.

John Shirley is an award-winning author, screenwriter, television writer, and songwriter. He lives in California.

Charles Stross is the author of the bestselling Merchant Princes series, the Laundry series, and several stand-alone novels including "Glasshouse", "Accelerando", and "Saturn's Children". Born in Leeds, England, in 1964, Stross studied in London and Bradford, earning degrees in pharmacy and computer science. Over the next decade and a half he worked as a pharmacist, a technical writer, a software engineer, and eventually as a prolific journalist covering the IT industry. His short fiction began attracting wide attention in the late 1990s; his first novel, "Singularity Sky", appeared in 2003. He has subsequently won the Hugo Award twice. He lives with his wife in Edinburgh, Scotland, in a flat that is slightly older than the state of Texas.

Carrie Vaughn is the "New York Times" bestselling author of the Kitty Norville books, including "Kitty s Big Trouble", "Kitty Goes to War", and "Kitty and the Midnight Hour". She is also the author of the standalone novels "After the Golden Age" and "Discord s Apple", and the young adult books "Voice of Dragons" and "Steel". Vaughn had the nomadic childhood of the typical Air Force brat, with stops across the country from California to Florida. She earned her B.A. from Occidental College in Los Angeles, and a master s in English from the University of Colorado at Boulder. She has worked as a Renaissance Festival counter wench, a theater usher, an editor, a buyer at an independent bookstore, and an administrative assistant. She lives in Boulder, Colorado.

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4 of 5 people found the following review helpful.
I finished Laird Barron’s “Mysterium Tremendum” ...
By Peter Olafson
... sometime after 3 a.m. on an eerily quiet Saturday night. I did not sleep well for the remainder and the world the next day seemed slightly off.

I could hardly pay this haunted slowburn a greater compliment.

Not far behind are Brian Hodges’ “The Same Deep Waters As You” and John Langan’s “Bloom.” I found myself watching the latter tale in my head and even adapting it as I read. (Frank Langela was somehow cast as the father.) How did that happen? I don’t know, but I take it as a signal that, while my inner copy editor wished the story longer and slower, giving us a better feel for the fascination held by the cast-off cooler at its center, I nevertheless connected with it in some less than conscious way.

And then there’s Simon Strantzas’ “On Ice.” This one’s more conventional in concept -- an arctic expedition that goes bad -- but I believed it and read every word.

Would that the other 15 pieces were in the same league. (The best among them is Elizabeth Bear and Sarah Monette’s “The Wreck of the Charles Dexter Ward,” which gives us a pair of sympathetic characters, but never quite delivers on its build-up.) But this was worth the admission price just for Barron’s “Mysterium” -- one of those rare stories that tap into the Mythos’s wellspring of dread. For my money, there’s nothing harder for a writer to do well -- nor more satisfying as a reader to discover.

4 of 5 people found the following review helpful.
Good follow-up to the first volume
By Marshall Lager
Good follow-up to the first volume, but the content is not quite as good. Some of the stories are homages to ones in the first volume, which I thought was a nice touch. Some others are a little heavy-handed in addressing modern concerns, but still pleasant to read—if one can call cosmic horror pleasant.

3 of 4 people found the following review helpful.
Good stuff
By Pepper
Now here is a set of stories from more modern authors that is worth reading (as was the first one.) These stories are mostly highly engaging Lovecraftianism and kept my attention for the duration of the story. I really enjoyed "The Transition of Elizabeth Hopkins" by Caitlin R. Kiernan, and "The Boy who Followed Lovecraft," by Marc Laidlaw. Well worth having in your collection.

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''Inspiring and humbling. The authors invite us into their journey with such gripping honesty and complexity that we cannot help but to see the activist potential of teacher inquiry groups like that modeled here. Whether LGBTQ or Ally, readers will find themselves drawn deeply into Acting Out!...and grateful that they did so.'' -- Kevin K. Kumashiro, author of The Seduction of Common Sense: How the Right Has Framed the Debate on America's Schools

In this volume, teachers from urban, suburban, and rural districts join together in a teacher inquiry group to challenge homophobia and heterosexism in schools and classrooms. To create safe learning environments for all students they address key topics, including seizing teachable moments, organizing faculty, deciding whether to come out in the classroom, using LGBTQ-inclusive texts, running a Gay-Straight Alliance, changing district policy to protect LGBTQ teachers and students, dealing with resistant students, and preparing preservice teachers to do antihomophobia work.

• Sales Rank: #1727600 in Books
• Published on: 2009-11-01
• Original language: English
• Number of items: 1
• Dimensions: 8.80" h x .60" w x 6.10" l, .60 pounds
• Binding: Paperback
• 208 pages

Review
''Give[s] the reader a feeling of participating in a rich conversation among colleagues.'' --CHOICE Magazine

About the Author
Mollie V. Blackburn is an Associate Professor in the School of Teaching and Learning at The Ohio State University. Caroline T. Clark is an Associate Professor in the School of Teaching and Learning at The Ohio State University. Lauren M. Kenney teaches 9th- and 10th-grade English at the Arts and College Preparatory Academy. Jill M. Smith is a teacher and GSA advisor at Westerville Central High School.

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Students will be inspired and motivated by the syncopated rhythms and the colorful, rich harmonies of jazz. Detailed articulation, dynamic and pedal markings create a thoughtful and thorough performance.

Titles:
* Away in a Manger
* Deck the Halls
* God Rest Ye Merry, Gentlemen
* Go Tell It on the Mountain
* Hark! the Herald Angels Sing
* O Come, All Ye Faithful
* Toyland
* We Wish You a Merry Christmas

• Sales Rank: #2292319 in eBooks
• Published on: 2010-05-18
• Released on: 2015-04-30
• Format: Kindle eBook

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0 of 0 people found the following review helpful.
Fun and playable
By Dorothy
This is probably advanced, definitely above intermediate. Some pieces are advanced forms of pieces published in the early grade books.

0 of 0 people found the following review helpful.
Impressive
By jsbroni
Accurately classified as late intermediate/early advanced. Beautiful to listen to the arrangements.

0 of 0 people found the following review helpful.
Four Stars
By vs
Fun arrangements!

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• Published on: 1605
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Includes chapters on: Characteristics of Victorian Literature, Thomas Carlyle, Lord Macaulay, Benjamin Disraeli, William Makepeace Thackeray, Charles Dickens, Charlotte Bronte, Charles Kingsley, Anthony Trollope and George Eliot.

• Original language: English
• Dimensions: 9.00" h x .22" w x 6.00" l, .33 pounds
• Binding: Paperback

From the Publisher
ABOUT THE AUTHOR: Frederic Harrison (1831-1923) was a famous English writer, lawyer, and positivist philosopher who was also interested in literature and literary history.

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• Sales Rank: #1728646 in Books
• Published on: 2013-05-08
• Original language: English
• Dimensions: 11.00" h x .56" w x 8.50" l,
• Binding: Paperback
• 238 pages

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Regardless of whether they’ve heard of jazz or Art Tatum, young readers will appreciate how Parker uses simple, lyrical storytelling and colorful, energetic ink-and-wash illustrations to show the world as young Art Tatum might have seen it. Tatum came from modest beginnings and was nearly blind, but his passion for the piano and his acute memory for any sound that he heard drove him to become a virtuoso who was revered by both classical and jazz pianists alike. Included in the back matter is a biography and bibliography.


From the Hardcover edition.

• Sales Rank: #797763 in Books
• Published on: 2016-01-26
• Released on: 2016-01-26
• Original language: English
• Number of items: 1
• Dimensions: 8.97" h x .15" w x 11.00" l, .81 pounds
• Binding: Paperback
• 40 pages

From Booklist
*Starred Review* Parker, who illustrated Jan Greenberg and Sandra Jordan’s Sibert Honor Book Action Jackson (2002), contributes both words and pictures in this heartfelt portrait of jazz great Tatum. Parker pushes the limits of the book’s nonfiction cataloguing by speaking in the pianist’s first-person voice, but an author’s note and a solid bibliography set the episodes in a framework of established facts. The vibrant scenes, in Parker’s familiar style of scratched ink lines and watercolor washes, show young Tatum playing at home for his dancing parents, at church for a full choir, and at local clubs, where he is discovered and his international career begins. In some images, crowds of dancers and musicians create a swirl of animated motion; in others, Parker sets Tatum, who was nearly blind, against a deep, moody, abstract background of shifting colors. Throughout, the simple, direct language shows the power of the music for both Tatum and his listeners. “When I am at the piano . . . I play clouds of notes, rivers of notes . . . I forget that my eyes aren’t good. I have everything I need.” Cue up the music; children will best appreciate this beautiful tribute with an earful of Tatum at the keyboard. Grades 2-4. --Gillian Engberg

Review
Starred review, Kirkus Reviews, December 15, 2007:
“Fusing Parker’s artistic talent and passion for jazz (he’s a musician, too), this sensitively embellished biography is totally on time.”

Starred review, Booklist, February 2, 2008:
“The simple, direct language shows the power of the music for both Tatum and his listeners.”

Starred review, School Library Journal, February 2008:
“Breathing life into words about music for young children is never easy, but Parker makes it appear effortless.”

Review, The San Francisco Chronicle, February 24, 2008:
"It's a joyful portrait of an innovative artist who was peerless in music ... A jazz musician himself, Parker brings a deep love and understanding to his subject."

About the Author
Robert Andrew Parker has illustrated numerous acclaimed books for children, including the Caldecott Honor Book Popcorn and Ma Goodness by Edna Mitchell Preston, the Boston Globe–Horn Book Award winner Cold Feet by Cynthia DeFelice, and Action Jackson by Jan Greenberg and Sandra Jordan, which received six starred reviews and was named a Robert F. Sibert Honor Book. Mr. Parker is a jazz musician. He lives in West Cornwall, Connecticut.


From the Hardcover edition.

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The Boyhood of a Prodigy
By Ben Sonnenberg
A book that tells of the childhood of the great jazz piano player, Art Tatum (1909-1956), who, though stricken with blindness when very young, went on to become a keyboard wonder. Beautifully illustrated and sensitively written, it fills you with joy and an urge to listen, or re-listen, to a miraculous musician.

3 of 3 people found the following review helpful.
This book, written in a gentle, sing song tone was very inspiring!
By Deb
Art Tatum was a little boy born in Toledo. His father was a mechanic and his mother, who loved to sing in church, did a lot of cleaning. His mother played the piano, but mostly it sat "quietly in the corner," until one day he became tall enough to hit the keys on the keyboard. He banged at it, played with one finger, two fingers and before you could wink an eye it started to sound very good. Even his mother said it did. He loved to play on the piano and didn't care much about night or day and because his eyes were so bad he really couldn't tell the difference.

"Don't wear out that piano today," his father said to him before he left for work. Art just loved his piano. By the time he was ten he was asked to play in church. A little case of jitters immediately went away when he touched the keyboard. Later he was asked to play at the YMCA, then at a bake sale and even someone's birthday party. "My, my, isn't he something," his mother gushed. More and more he was asked to play until he became famous, but he still remembered and loved "all the people who helped" him.

This was a wonderful story. It was written in a gentle, sing song tone and was quite inspiring. The watercolors meshed quite well with the text. In the back of the book Robert Andrew Parker writes about actually meeting and listening to Art play. There is a brief, but very interesting biography of art and a bibliography. This book would be very appealing to any jazz fan and will be appreciated and loved even by those unacquainted with his work.

4 of 4 people found the following review helpful.
Great story, phenomonal artwork
By John Q. Walker
The story of Art Tatum has been told too rarely -- it's a delight to have this wonderful book written by an impassioned author. Even more amazing is the gorgeous artwork, also done by Mr. Parker. Strongly recommended.

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